After finally getting away from Interscope, Trent Reznor has put out about as much material as his first decade in just a year. His varied distribution scheme for Ghost I-IV was not only as interesting and well executed as Radiohead, but he also made loads of money. Between digital downloads and the snazzy $250 version of the album, he probably cleared a cool million on the project. Plus he followed it up by giving away a pretty excellent follow up, The Slip, and then launching one of the most ambitions tours of all time. Lights in the Sky was one of the finest live experience I've ever seen. Besides the numerous tricks they could pull off with the responsive screen (playing it like a sequencer, projecting live footage onto it instantly, turning it into a moving wall of static) the show also demonstrated a range in Nine Inch Nails that many fail to acknowledge.
Now Trent is on the forefront of technology again with a pretty ambitious iPhone app. While I probably wouldn't use most of the functionality, the free app is more proof that bands with an established fanbase can really stretch out in all directions, even beyond the music. For example, the Year Zero was also an alternate reality game.
I think NIN have the edge right now, and that may be because band and the fanbase are a bit younger than Prince's. But both acts should be commended for pushing things forward.
1 comment:
This was a very well written and informative post and my response is probably more of a philosophical issue than is really needed here but I wonder why as a society we always have to frame things in termns of competition, and not rather two wholly unique elements both simply on the cutting edge of a new trend and in that way working in a sort of cohesive symetry?
I also wonder if I'll ever love a band enough to use an iphone app like that.
Then I remember I don't have an iphone and cry and cry and cry.
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